John Varley II is high-key - luminous, open, and weighted toward light. Cool hues prevail: blues, greens, and greys anchor the palette's emotional temperature. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. 25.0% of the palette belongs to #CECAA4, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #8D7B41 - appears at just 3.5%, deployed as a precision accent against the quieter ground. Spanning 42 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 1 sits within the larger chromatic argument that John Varley II's complete body of work advances.