John Singleton Copley sits in the centre of the value range, lending the palette a sense of even, sustained light. Warm and cool are kept in productive tension, creating the kind of chromatic harmony that sustains the eye. Mid-saturation across the board: the palette has colour character without chromatic excess. The chromatic peak belongs to #E2C352, and at 27.8% it dominates, not decorates. A value spread of 61 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of mid-to-high key, balanced temperature, and elevated chroma is characteristic of Impressionist observation: light broken into its component hues. Palette 11 sits within the larger chromatic argument that John Singleton Copley's complete body of work advances.