John Ruskin is strongly light-biased - shadow is suggested rather than declared. Yellow, ochre, sienna: warm hues that John Ruskin deploys as the palette's primary energy. Mid-saturation across the board: the palette has colour character without chromatic excess. Only 10.2% is devoted to #C4A56B, yet that small allocation delivers the palette's entire chromatic tension. The value range spans 63 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. In the context of John Ruskin's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.