John Everett Millais occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. John Everett Millais tilts toward cool - blues and silver-greys carry the structural weight. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The most saturated colour, #C5BC95, is reserved to 6.6% of the surface, where it acts as a focal punctuation. From deepest dark to palest light, the palette traverses 67 units of the value scale - a span that creates natural depth. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. This is palette 2 of John Everett Millais's sequence - a single chapter in a chromatic story told across many works.