Johannes Itten occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Warmth dominates - the palette of Johannes Itten leans heavily on the yellow-orange-red arc of the colour wheel. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. 33.6% of the palette belongs to #2F272C, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #763836 - appears at just 10.3%, deployed as a precision accent against the quieter ground. 50 units of value spread create a palette that is varied but unified - contrast in the service of harmony. Palette 4 sits within the larger chromatic argument that Johannes Itten's complete body of work advances.