Jean Baptiste Pillement distributes its values across the middle register, creating harmony without high contrast. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. Jean Baptiste Pillement gives 25.5% of the composition to a single #182424 - a decisive chromatic anchor. The highest-chroma note - #895B4F - appears at just 2.3%, deployed as a precision accent against the quieter ground. At 57 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 3 of Jean Baptiste Pillement's sequence - a single chapter in a chromatic story told across many works.