Mid-key values give Jan Wyck its characteristic quietness - nothing blazes, nothing disappears. Warm hues command this palette; Jan Wyck favours the reds, oranges, and yellows of firelight and earth. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The most saturated colour, #A88362, is reserved to 5.3% of the surface, where it acts as a focal punctuation. Spanning 40 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The palette is a signature: Jan Wyck's particular sense of value, warmth, and colour weight made legible.