Mid-key values give Jan Miense Molenaer its characteristic quietness - nothing blazes, nothing disappears. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #FCFBFA - appears at just 4.3%, deployed as a precision accent against the quieter ground. The value range spans 73 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 4 sits within the larger chromatic argument that Jan Miense Molenaer's complete body of work advances.