Low-key values are the structural spine of Jan de Bray, giving it gravity and atmosphere. Jan de Bray orchestrates warmth above all else - reds, ambers, and siennas take the lead. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. A single dominant - #141111 at 31.0% - sets the character of the whole composition. Only 3.6% is devoted to #7B4F33, yet that small allocation delivers the palette's entire chromatic tension. 71 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Jan de Bray's palette 2 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.