Values in James Campbell rest in the mid-range - neither dramatically lit nor steeped in shadow. Warm hues command this palette; James Campbell favours the reds, oranges, and yellows of firelight and earth. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #CDA67C - appears at just 12.0%, deployed as a precision accent against the quieter ground. The value range spans 58 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette is recognisably James Campbell's own: particular in its temperature, chroma, and the economy of its brightest note.