Jacob Fransz. van der Merck distributes its values across the middle register, creating harmony without high contrast. Jacob Fransz. van der Merck keeps warm and cool in parity, a balance that lends the work a perceptual shimmer. Mid-saturation across the board: the palette has colour character without chromatic excess. The highest-chroma note - #6D1E0D - appears at just 3.1%, deployed as a precision accent against the quieter ground. 45 units of value spread create a palette that is varied but unified - contrast in the service of harmony. Together these qualities point to the open-air Impressionist method: recording light rather than local colour. This is palette 1 of Jacob Fransz. van der Merck's sequence - a single chapter in a chromatic story told across many works.