J. E. H. MacDonald keeps values measured and balanced, a hallmark of tonal restraint. The palette achieves thermal balance - reds and blues, ochres and greens, each holding the other in check. Mid-saturation across the board: the palette has colour character without chromatic excess. #8C713D at 10.5% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. Spanning 52 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The combination of mid-to-high key, balanced temperature, and elevated chroma is characteristic of Impressionist observation: light broken into its component hues. J. E. H. MacDonald's palette 2 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.