Isaac Whitehead sits in the centre of the value range, lending the palette a sense of even, sustained light. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The most saturated colour, #BDB498, is reserved to 8.0% of the surface, where it acts as a focal punctuation. A value spread of 60 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. The palette is recognisably Isaac Whitehead's own: particular in its temperature, chroma, and the economy of its brightest note.