Il Sodoma occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Temperature reads distinctly warm: the reds and earth tones from Il Sodoma carry the compositional weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The most saturated colour, #8C5532, is reserved to 4.5% of the surface, where it acts as a focal punctuation. A value spread of 57 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. This is palette 6 of Il Sodoma's sequence - a single chapter in a chromatic story told across many works.