Henry Wallis dwells firmly in the shadows, with no more than a whisper of light. Yellow, ochre, sienna: warm hues that Henry Wallis deploys as the palette's primary energy. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. #171212 at 39.6% of the palette: an overwhelming presence that pulls all other colours into its gravitational field. Only 6.7% is devoted to #4D2B1B, yet that small allocation delivers the palette's entire chromatic tension. The value range spans 56 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Palette 3 sits within the larger chromatic argument that Henry Wallis's complete body of work advances.