Mid-key values give Henri Martin its characteristic quietness - nothing blazes, nothing disappears. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #998147 - appears at just 9.9%, deployed as a precision accent against the quieter ground. 41 units of value spread create a palette that is varied but unified - contrast in the service of harmony. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 8 sits within the larger chromatic argument that Henri Martin's complete body of work advances.