Mid-key values give Henri Gervex its characteristic quietness - nothing blazes, nothing disappears. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. Henri Gervex gives 27.1% of the composition to a single #E7DAB1 - a decisive chromatic anchor. The highest-chroma note - #936B3E - appears at just 4.1%, deployed as a precision accent against the quieter ground. A value spread of 68 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 2 sits within the larger chromatic argument that Henri Gervex's complete body of work advances.