Light floods Harrison Fisher; the palette keeps values pale and airy across its range. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The dominant colour, #FDFDFC, takes 59.3% of the total area, establishing the overall mood before any other hue is introduced. At 4.2%, #623C2B carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. At 76 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 6 of Harrison Fisher's sequence - a single chapter in a chromatic story told across many works.