Hans Holbein the Younger distributes its values across the middle register, creating harmony without high contrast. Warm hues command this palette; Hans Holbein the Younger favours the reds, oranges, and yellows of firelight and earth. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. 28.5% of the palette belongs to #251D1D, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #A24B35 - appears at just 4.7%, deployed as a precision accent against the quieter ground. 66 units of value range underpin the palette's structural clarity: the eye always knows where light falls. This is the light Hans Holbein the Younger preferred, made measurable.