Hans Holbein the Younger occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #CC9850, is reserved to 1.9% of the surface, where it acts as a focal punctuation. At 60 units of value range, the palette has the tonal breadth to sustain complex spatial readings. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. This is palette 8 of Hans Holbein the Younger's sequence - a single chapter in a chromatic story told across many works.