Gothic is built on dark foundations, with values clustered toward shadow. Warm hues command this palette; it favours the reds, oranges, and yellows of firelight and earth. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. A single dominant - #131112 at 34.4% - sets the character of the whole composition. The highest-chroma note - #DDD0AC - appears at just 2.6%, deployed as a precision accent against the quieter ground. The value range spans 68 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. This tonal restraint is characteristic of the Tonalist sensibility: colour serves light, not the reverse.