Giuseppe Arcimboldo keeps values measured and balanced, a hallmark of tonal restraint. Giuseppe Arcimboldo orchestrates warmth above all else - reds, ambers, and siennas take the lead. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #C45C40 - appears at just 6.8%, deployed as a precision accent against the quieter ground. A value spread of 64 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Palette 2 sits within the larger chromatic argument that Giuseppe Arcimboldo's complete body of work advances.