Giovanni da Milano distributes its values across the middle register, creating harmony without high contrast. Warm hues command this palette; Giovanni da Milano favours the reds, oranges, and yellows of firelight and earth. A restrained, mid-chroma palette: every hue is present and legible, but nothing shouts. The highest-chroma note - #9A5C2A - appears at just 8.5%, deployed as a precision accent against the quieter ground. A value spread of 61 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Palette 9 sits within the larger chromatic argument that Giovanni da Milano's complete body of work advances.