Giovanni da Milano is high in key: pale, luminous, and filled with optical air. Warm and cool are kept in productive tension, creating the kind of chromatic harmony that sustains the eye. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #D0AB61, is reserved to 4.7% of the surface, where it acts as a focal punctuation. Value range is moderate at 53 units - enough contrast for legibility, not so much as to fragment the tonal unity. In the context of Giovanni da Milano's full range of palettes, group 1 represents one movement in an ongoing chromatic dialogue.