Georges Vantongerloo works in the upper reaches of the value scale, creating an atmosphere of brightness and expansiveness. Temperature is cool-dominant, with blue and green families claiming the largest areas. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #D9D4C2 claims 48.6% of the surface, functioning as the work's tonal foundation. The most saturated colour, #A7644B, is reserved to 2.2% of the surface, where it acts as a focal punctuation. Value range is moderate at 49 units - enough contrast for legibility, not so much as to fragment the tonal unity. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 2 of Georges Vantongerloo's sequence - a single chapter in a chromatic story told across many works.