George Hemming Mason is strongly light-biased - shadow is suggested rather than declared. George Hemming Mason tilts toward cool - blues and silver-greys carry the structural weight. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. George Hemming Mason gives 30.0% of the composition to a single #D9D7C1 - a decisive chromatic anchor. The highest-chroma note - #B98951 - appears at just 6.5%, deployed as a precision accent against the quieter ground. The full value range is 57 units: broad enough to build convincing three-dimensional form. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. This is palette 2 of George Hemming Mason's sequence - a single chapter in a chromatic story told across many works.