Values in George Earl rest in the mid-range - neither dramatically lit nor steeped in shadow. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #9A612A - appears at just 7.1%, deployed as a precision accent against the quieter ground. A value spread of 58 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. George Earl's palette 1 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.