Friedrich Wilhelm Christoph Morgenstern is built on dark foundations, with values clustered toward shadow. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. #A13B10 functions as the palette's exclamation mark: highest chroma, lowest percentage (1.6%). A value spread of 57 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. This is palette 1 of Friedrich Wilhelm Christoph Morgenstern's sequence - a single chapter in a chromatic story told across many works.