The value structure of Frederick Sandys is mid-key: quiet, controlled, and cohesive. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Saturation is measured and controlled, giving the palette presence without visual aggression. Only 5.4% is devoted to #F2E0D0, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 78 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette reads as an Impressionist one - light-biased, chromatically direct, and built on temperature contrast rather than value opposition. This is palette 5 of Frederick Sandys's sequence - a single chapter in a chromatic story told across many works.