Frederick Morgan is high-key - luminous, open, and weighted toward light. Yellow, ochre, sienna: warm hues that Frederick Morgan deploys as the palette's primary energy. A restrained, mid-chroma palette: every hue is present and legible, but nothing shouts. The most saturated colour, #CD934C, is reserved to 9.6% of the surface, where it acts as a focal punctuation. Value range is moderate at 48 units - enough contrast for legibility, not so much as to fragment the tonal unity. In the context of Frederick Morgan's full range of palettes, group 1 represents one movement in an ongoing chromatic dialogue.