The high-key values of Frederick De Wit give it an effulgent, almost bleached quality. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. #DDDCC6 claims 37.2% of the surface, functioning as the work's tonal foundation. Only 1.9% is devoted to #9D6453, yet that small allocation delivers the palette's entire chromatic tension. At 44 units across the value scale, the palette keeps contrast readable without letting it dominate. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 2 sits within the larger chromatic argument that Frederick De Wit's complete body of work advances.