Frederic Leighton occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Temperature reads distinctly warm: the reds and earth tones from Frederic Leighton carry the compositional weight. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. 26.9% of the palette belongs to #1B2322, a concentration that makes it the unmistakable visual centre. #6A3729 functions as the palette's exclamation mark: highest chroma, lowest percentage (7.4%). A value spread of 66 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Palette 8 sits within the larger chromatic argument that Frederic Leighton's complete body of work advances.