Low-key values are the structural spine of Franz Stuck, giving it gravity and atmosphere. Temperature reads distinctly warm: the reds and earth tones from Franz Stuck carry the compositional weight. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. #1A1615 at 31.4% of the palette: an overwhelming presence that pulls all other colours into its gravitational field. #62372F functions as the palette's exclamation mark: highest chroma, lowest percentage (5.3%). At 60 units of value range, the palette has the tonal breadth to sustain complex spatial readings. This tonal restraint is characteristic of the Franz Stuck approach: colour serves light, not the reverse. Palette 9 sits within the larger chromatic argument that Franz Stuck's complete body of work advances.