Fitz Hugh Lane distributes its values across the middle register, creating harmony without high contrast. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #BE975A - appears at just 6.6%, deployed as a precision accent against the quieter ground. Value range is moderate at 42 units - enough contrast for legibility, not so much as to fragment the tonal unity. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 5 sits within the larger chromatic argument that Fitz Hugh Lane's complete body of work advances.