The value structure of Everett Shinn is mid-key: quiet, controlled, and cohesive. Warm hues command this palette; Everett Shinn favours the reds, oranges, and yellows of firelight and earth. All colours lean toward grey, building depth through value rather than colour punch. #12131A at 4.7% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. A value spread of 62 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Palette 4 sits within the larger chromatic argument that Everett Shinn's complete body of work advances.