Eugène Jansson is strongly light-biased - shadow is suggested rather than declared. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Chroma is moderate: colours carry enough saturation to be read as colour, but the palette stops well short of garish intensity. The highest-chroma note - #C4B985 - appears at just 11.1%, deployed as a precision accent against the quieter ground. Value range is moderate at 53 units - enough contrast for legibility, not so much as to fragment the tonal unity. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. In the context of Eugène Jansson's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.