Values in Eugen Bracht rest in the mid-range - neither dramatically lit nor steeped in shadow. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #161C26 - appears at just 11.3%, deployed as a precision accent against the quieter ground. The value range spans 68 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 2 of Eugen Bracht's sequence - a single chapter in a chromatic story told across many works.