Darkness anchors Edward Lamson Henry; light is rationed, creating dramatic contrast rather than open air. Warm hues command this palette; Edward Lamson Henry favours the reds, oranges, and yellows of firelight and earth. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The dominant colour, #2C2622, takes 29.9% of the total area, establishing the overall mood before any other hue is introduced. At 3.4%, #7F482C carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. The value range spans 68 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. Together these qualities place Edward Lamson Henry firmly in the tonal tradition - concerned with mood and atmosphere rather than chromatic display. This is palette 5 of Edward Lamson Henry's sequence - a single chapter in a chromatic story told across many works.