The high-key values of Edward Hopper give it an effulgent, almost bleached quality. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The most saturated colour, #CFB084, is reserved to 3.3% of the surface, where it acts as a focal punctuation. 57 units of value range underpin the palette's structural clarity: the eye always knows where light falls. This is palette 3 of Edward Hopper's sequence - a single chapter in a chromatic story told across many works.