Edward Hicks occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Yellow, ochre, sienna: warm hues that Edward Hicks deploys as the palette's primary energy. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #141015 at 26.0% of the palette: an overwhelming presence that pulls all other colours into its gravitational field. The most saturated colour, #C9A644, is reserved to 4.7% of the surface, where it acts as a focal punctuation. A value spread of 73 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. In the context of Edward Hicks's full range of palettes, group 4 represents one movement in an ongoing chromatic dialogue.