The value structure of Edward Hicks is mid-key: quiet, controlled, and cohesive. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. #13111B claims 36.7% of the surface, functioning as the work's tonal foundation. The highest-chroma note - #CA9C3F - appears at just 4.1%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 73 units of the value scale - a span that creates natural depth. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 3 of Edward Hicks's sequence - a single chapter in a chromatic story told across many works.