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Edward Hicks Palette 3

Shadowed Bister
Shadowed Low-key - values weighted toward shadow, the palette of dim interiors and overcast skies.
Bister Dark warm brown - a traditional ink and wash pigment made from wood soot.
Edward Hicks Palette 3 - Shadowed Bister

Color Composition

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Colors
#13111B
36.70%
#3A2E27
11.80%
#966E32
9.10%
#EFE3D5
8.40%
#D2BFAC
8.30%
#6A5531
7.40%
#B59B77
5.30%
#878C8A
4.80%
#773722
4.10%
#CA9C3F
4.10%

Palette Analysis

The value structure of Edward Hicks is mid-key: quiet, controlled, and cohesive. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. #13111B claims 36.7% of the surface, functioning as the work's tonal foundation. The highest-chroma note - #CA9C3F - appears at just 4.1%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 73 units of the value scale - a span that creates natural depth. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 3 of Edward Hicks's sequence - a single chapter in a chromatic story told across many works.

Example use cases

  • theater design
  • jewelry brands
  • tobacco-adjacent retail
  • event branding
  • film & entertainment

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