Mid-key values give Eduard von Gebhardt its characteristic quietness - nothing blazes, nothing disappears. Cool hues prevail: blues, greens, and greys anchor the palette's emotional temperature. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. 25.2% of the palette belongs to #2C2E2E, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #C2B089 - appears at just 4.6%, deployed as a precision accent against the quieter ground. The full value range is 56 units: broad enough to build convincing three-dimensional form. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 2 of Eduard von Gebhardt's sequence - a single chapter in a chromatic story told across many works.