David Scott occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. David Scott builds on cool foundations: the palette favours the blue-cyan-green arc. A restrained, mid-chroma palette: every hue is present and legible, but nothing shouts. The highest-chroma note - #764F27 - appears at just 7.9%, deployed as a precision accent against the quieter ground. A value spread of 55 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 1 of David Scott's sequence - a single chapter in a chromatic story told across many works.