David Davies is strongly light-biased - shadow is suggested rather than declared. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #A1B1CF - appears at just 4.5%, deployed as a precision accent against the quieter ground. At 54 units across the value scale, the palette keeps contrast readable without letting it dominate. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. This is palette 1 of David Davies's sequence - a single chapter in a chromatic story told across many works.