Dada is strongly light-biased - shadow is suggested rather than declared. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. #E2D7C2 at 30.0% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. A value spread of 64 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky.