Ming (#36747D) and Olive Drab (#3C341F) appear together across 6 master palettes in our corpus, most prominently in the work of Robert Alott, Michiel van Musscher, and Joachim Patinir and the Romanticism tradition. Painters typically deployed ming at an average of 7% of the canvas, with olive drab at 11%. Third colors most often completing the combination include Bone (#E3DAC9), Smoky black (#100C08), and Shadow (#8A795D).