Ebony (#555D50) and Ming (#36747D) appear together across 6 master palettes in our corpus, most prominently in the work of Robert Alott, David James, and Robert Falk and the Romanticism tradition. Painters typically deployed ebony at an average of 17% of the canvas, with ming at 11%. Third colors most often completing the combination include Xanadu (#738678), Morning blue (#8DA399), and Black olive (#3B3C36).