Blanched almond (#FFEBCD) and Mona Lisa (#FF948E) appear together across 2 master palettes in our corpus, most prominently in the work of Kiyokata Kaburagi and the Taishō period (1912–1926) tradition. Painters typically deployed blanched almond at an average of 40% of the canvas, with mona lisa at 13%. Third colors most often completing the combination include Dark sea green (#8FBC8F), Apricot (#FBCEB1), and Laurel green (#A9BA9D).