Christopher Wood works in the upper reaches of the value scale, creating an atmosphere of brightness and expansiveness. Warm and cool are kept in productive tension, creating the kind of chromatic harmony that sustains the eye. Saturation is measured and controlled, giving the palette presence without visual aggression. The most saturated colour, #CD4B25, covers 18.7% of the surface: too much to call an accent, too strong to ignore. 59 units of value range underpin the palette's structural clarity: the eye always knows where light falls. Together these qualities point to the open-air Impressionist method: recording light rather than local colour. This is palette 3 of Christopher Wood's sequence - a single chapter in a chromatic story told across many works.