Charles Frederic Ulrich occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Warm and cool are kept in productive tension, creating the kind of chromatic harmony that sustains the eye. Colours are neither washed out nor blazing; they occupy the productive middle ground of the chroma scale. #C75E11 functions as the palette's exclamation mark: highest chroma, lowest percentage (4.3%). The full value range is 67 units: broad enough to build convincing three-dimensional form. The combination of mid-to-high key, balanced temperature, and elevated chroma is characteristic of Impressionist observation: light broken into its component hues. In the context of Charles Frederic Ulrich's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.